The Heat Lightning

New Today!: The Heat Lightning, a group website/blog founded by me and Liz of Miami, Bro, and featuring an as-yet-unspecified number of contributors (maybe you?).

Hopefully this will revive a little of that ‘ol Critical Miami spirit, with, uhh, “a fresh new vibe,” i dunno. I don’t need to convince you it’s going to be great, because sooner or later you’re going to click over and you’ll see for yourself.

April arthop, 2010

april artwalk

Come the first Wynwood artwalk of Spring, you might expect to see a downturn in the quality of work on view, what with Basel now a distant memory, but no such luck, although you will have to scroll a few photos. Here’s the Scholl’s collection of Anna Gaskell’s work, which you have seen before but which is always worth another look. Bonus, Miko No Inori in the next room.

april artwalk

Diego Singh’s paintings at Snitzer, some of which were pretty nice. A huge metal panel with a few primitive markings covers one wall, trying too hard to not try hard.

april artwalk

Still the worst thing in Wynwood. Is there a petition or something we can sign to get this removed?

april artwalk

Christy Gast’s video installation at Diet. There was a sort of manic necessity to the videos, but the grandiose three-screen treatment, with deluxe log seating, seemed unnecessary.

april artwalk

A Fernando + Humberto Campana chair, part of a group show at Castillo. Nicole had to shoo people out of it a few times, even though it’s on loan from Craig Robins, and obviously sees its share of asses in its regular life. I for some reason did not photograph either of Jose Alvarez’s two spectacular abstract pieces, which included feathers and porcupine quills and were selling for $24,000 each, your choice. If anyone has an image, send it over.

april artwalk

Lisa Perez at Dorsch, an installation of paper cuttings and other mischief. The way Dorsch is divided up right now is really effective, with three completely different spaces for artists to work with.

april artwalk

Magnus Sigurdarson. I was not interested in the big installation, but this video, where the artist stares at you without moving (“he chose to not put his sunglasses on,” Carolina remarked)

april artwalk

Also, Mette Tommerup’s paintings. Sort of great!

april artwalk

Update: Jay Hines at Dimensions Variable

april artwalk

Pachi Giustinian installation at Spinello.

april artwalk

Installation at Locust, which their website currently does not list on either the current or past exhibitions page. Whatever, some big film themed thing.

april artwalk

Here’s me interacting with the frame on short-loop projection.

april artwalk

Quick breather.

april artwalk

… and then off to the de la Cruz collection. This is turning out to be a really interesting institution, with a series of talks and, here, an installation/preformance by Federico Nessi …

april artwalk

… with two other performers.

april artwalk

And by the way, if you haven’t been to the de la Cruz space, I’d recommend heading straight to the top floor first and making a beeline for the Ana Mendieta room.

april artwalk

GRAPE SODA

Day trip to the Little Havana DMV

Little Havana DMV

A few weeks ago I had the pleasure of attending the Little Havana DMV, sans appointment, to get my driver’s license renewed. I was thinking about about doing a “tips for surviving the DMV” post, but honestly you already know what you need to know: renew your license online or by mail if you can, make an appointment otherwise. And all I can really do is double-down on that advice. You need to make an appointment a week or two ahead of time, which is exactly what I did not do, and this is what happened.

I took the whole day off from work, but didn’t get to the station until around 11:30. It’s part of a big walled-off complex, with an entrance that leads into an unattractive parking lot. There’s a little bit of a carnival atmosphere going on, with a hot dog vendor, an impromptu traffic school, and people milling around their cars. The building is remarkably nondescript, and there’s a line out the door and down a long concrete wheelchair ramp of maybe 75 people. Easy, I think, and join the back of the line. There is kind kind of a murmur of conversation, all of it in Spanish.

After a few minutes, a gentleman in a turban comes out the door, makes his way to the back of the line, and hands out tickets to the few people at the end who I guess arrived since the last time he was outisde, which includes me. It’s a quarter of a regular piece of paper with something printed on it, and on which he’s made a mark that looks like a backwards check mark. Or maybe it’s an oddly formed number 7. “That will be it for the day,” he announces. He means me. I’m the last person they’re planning on processing that day. I wonder if that means I’m going to be here until 5.

My job for the next few hours is to tell every person who comes to join the line that unless they have an appointment they are SOL, need to come back tomorrow, and are welcome to step inside and ask for themselves. The people in line ahead of me (sort of a quasi-thugish Hispanic guy in his 20s with a very sharp baseball cap and his mom) and I form sort of an understanding — I give the talk unless the person obviously speaks only Spanish, in which case they take over. I have no idea how we sort out who does what, but it works out. So I get to crush about a dozen people’s souls. They’ve resigned themselves to a terrible day, made the arrangements, and now find out they need to come back after the weekend. Sucks to be them. (Sucks to be me, too.)

Every so often, the door at the top of the ramp (there’s sort of an awning there) opens and a few more people are allowed in to what is, we all understand, simply the next waiting area. I have no idea how long it will take to get inside, nor how long the wait will be after that. Some people walk to peek in, but I know my curiosity will be satisfied sooner or later. Around 1:30 I make it to the corner of the ramp, about a quarter of the way from my start. I eat an apple I’ve brought to a few envious looks. The semi-thugish guy and his mom have asked me to save their spot, and retreated to their car, parked right by the ramp, so I’m now behind (actually next-to; it’s really more of a mass of people then a line at this point, although everyone is hyper-aware of the actual order they’re in) another lady, who points out the looming storm clouds to the south. She also shows me the ticket she got from the man in the turban, which has a completely different mark on it. Clearly the systems at work here are not like anywhere else.

The weather shifts from hot to overcast and windy. At some point a guy joins the line behind me who does not take “they’re not taking anyone else” for an answer. I occasionally break out the iphone and read a little bit, but honestly it’s sort of a pleasure just dumbly waiting, reveling in the mindless queuing that is such a part of life in other places in the world, so not a part of regular life here. For god’s sakes, Americans get antsy when they have to wait 10 minutes in line at the post office.

At some point it rains, a little drizzle. At this point I’m under a big tree, then the beginnings of the awning, and it’s a light rain, with maybe some dramatic gusts of wind. It’s sort of funny that we’ve been here long enough to see major shifts in weather patterns. Not that funny, though.

Now I’m in the home stretch of the beginning. There are maybe 10 or 15 people left outside, half of which are behind me, having joined the guy who figured it was worth a shot. Turban guy, as well as a couple of other DMV employees, have multiple times come out and pointed at me, and proclaimed, “yeah, he’s the last one,” or “nobody after him, I already explained to them,” which sort of makes it sound like I’ve bribed someone or something. Suddenly, a guy storms out in a huge fit, surges through the crowd, kicks a garbage can, and walks off to his car. Someone translates what he was shouting: “the computers are down.” This is soon confirmed by one of the DMV guys. “The computers are down. We can’t process anyone until they come back up, and we have no way of knowing when they’ll come back up. Sometimes they stay down the whole day. Your choice whether to wait around or now.” Another guy comes out, and his nonchalance is startling, “hey, I’d rather be working too. Makes the time go by faster.” WTF dude, you get paid whether you do anything or not, have some fucking sympathy for us poor schlubs who have to come back and do this all again if the computers stay down. So a couple of people from the inside waiting room leave, this being the particular straw that broke the particular camel’s back for them, and the rest of us tentatively wait around. It takes about 15 minutes, but word comes that the computer are back up, and a collective sigh of relief is had by all.

When the turban guy comes outside the last time to make some announcement or other, a pretty lady from behind me in line calls him over, and explains that her license is expiring today (mine expired yesterday, but who’s counting?), and what should she do. He’s actually a nice guy (it turns out everyone who works at the DMV is super nice, believe it or not), and he tells her he’ll give her a 1-week extension so she doesn’t have to pay the late fee when she comes back (the late fee that apparently is to be my punishment, though at this point I have no idea how much it is). Now, I’ve overheard this conversation so I know what’s going on, but all anyone else sees is the DMV guy taking the pretty lady inside ahead of the line, and they go apeshit. For a minute it looks like there’s going to be a mini-riot under the awning, and it takes a couple of calm DMV guys to calm everyone down enough to explain the situation.

A while later and for a long time I’m the last of the ticket-holders outside, standing awkwardly outside the door, a bunch of people behind me, and I have no idea why the DMV guy watching the door doesn’t just wave me in.

When he does finally let me in, it’s with a whole bunch of the non-ticketed folks. It’s I guess 4 pm now, and they’ve decided they can take more then it looked like in the morning, which makes me suddenly ambivalent about everyone I’ve sent away throughout the day. Sorry, suckers? The whole system stinks? Don’t blame me, I’m just trying to help? Whatever. So here’s the inside: a little pre-checkin area, then a double-line to wait for the receptionist, who turns out to be the very same Turban guy, and who assigns each person a ticket which corresponds to the announcements heard regularly over the PA: “B-5183 to window 15 … F-0097 to window 4 …” etc., except that they’re all of course repeated in Spanish. There’s also a large waiting area, with maybe 50 super-old school hard plastic chairs in rows.

The pre-checkin guy checks my papers. You need four separate pieces of documentation, to wit: (1) something super serious that proves your identity (I’ve got a passport, but a birth certificate would also work (for fun, I imagine bringing my Czech birth certificate, which is accompanied by a weird-looking but authentic and notarized English translation from the 80s), (2) something that verifies your SS#, like a Social Security card or W-2, and (3) two things that verify your address, like an electric bill and bank statement. This explains the people who, throughout the day, left the building in a huge pissy huff, fumbled frantically through their glove compartments, and then drove carelessly off.

As I get in line I look around. The whole thing is one gigantic room, with the processing desks and some test-administering computers in the back, semi-separated by a chest-height room divider. The sit-down waiting area is off to the right. Most of the furniture and appointments, such as they are, look like they were put in in the 80s and maintained on an ever-squeezed budget since then. There’s a big noisy floor fan in one corner that gets turned off and on a couple of times. Fluorescent lights. Dingy tile floors. Walls painted a combination of industrial green and salmon. More or less exactly the sort of government office we should all be grateful we don’t have to visit on like a weekly basis.

Anyway, I get in one of the two lines, the group of late-arrival unticketed folks anticlimactically right behind me. The other line is for people who’ve made appointments, who’ve been coming and going all day. Turban receptionist guy alternates taking people from both lines, and he deals with everyone for a good long while. Maybe he’s taking their oral histories, I dunno. So finally I get to the desk, and I launch into this story I’ve slowly hatched to get me out of paying the dreaded late fee. I tell the guy that I came yesterday, when my license was expired, and that I was sent away because I joined the line too late, but now I see that I could have been renewed if only I’d just stayed, because it worked for all these other people, see? He’s extremely apologetic, says I should have talked to him. Very sorry, but there’s nothing he can do about the late fee. But he can (because of the bizarre number-que system, see?) bump me up in the sequence to get my license(!!) at this point! I ask him what the late fee is. $15. At this point I have a minimum of another hour ahead of me, and I’d gladly pay four times that to have it over with, so I’m doing cartwheels on the inside, even as I calmly thank him. “If anyone asks, you had a 3:30 appointment, though. I don’t want any trouble,” he says.

I wander over to the waiting area, where all the people that have been ahead of me in line all day are sitting. It occurs to me that if they really catch on to what’s happened, it could get slightly unpleasant. I pick up an organ donor brochure, and wander over to lean against the wall near the entry area to the processing windows. Two other numbers get called, and then “B-1781 to window 6,” and I wander over to the windows, all casual like, like I’m just having a look. Once I’m at the window I’m in a separate area, and everything’s good. The lady at window 6 is again super-nice, and I think she’s sort of the resident expert, because everyone else asks her questions, and even the turban receptionist walks over at one point when there’s some ambiguous situation he needs help figuring out. We exchange knowing glances.

The lady scans my documents. She’s got a plain dell and a cheap looking desktop scanner, which makes the whole process take a pretty long time. She takes my photo with that photo contraption that may date back to the 70s. I tell her that I want the organ donor designation, answer a couple of other questions, take my eye test (It’s in that weird machine you look down into. I’m convinced I could have passed it without my glasses, and here’s the trick I realized only too late — there are three columns of letters; the middle one is visible to both eyes, but the outside two are only visible to one at a time. It’s a lot easier to read if you close your right eye, read the first two columns, then close your left eye to read the last column. I’ll get you next time, Gadget, next time!), and I’m done.

Waiting for your license is the most anticlimactic thing ever. Another waiting area, this one with exactly two chairs, and aproximately 10 minutes for the most mundane, $50-at-office-depot-looking little desktop ID printer to spit it out. I guess there’s something or other fancy about it, because it makes those little holograms of the state seal in the laminate layer, but otherwise it’s the same thing that prints ID’s at the Art Basel press checkin. And that is it, folks, I say mentally to everyone I’ve spent this glorious day with. There’s another exit route that bypasses the waiting area, goes by the reception lines (still busy) and out the door. It’s 4:30, and I’m gone, never to return.

Microsoft

“Cannot start Microsoft Office Outlook. Unable to open the Outlook Window. The set of folders could not be opened. The server is not available. Contact your administrator if this condition persists.”

Seriously, Microsoft has been getting better lately, but they have a lot to live down. This is just fucking ridiculous.

I’m going to tell you one last time about The Awl

Last Friday I deleted the 400+ to-read items from The Awl in my RSS so that I could start fresh and really stay with it. And before I did, one thing caught my attention that deserves a little bit of explanation. If ever there was one canonical example of the sheer brutal Strength of this particular little site, maybe this is it.

Okay, so here is the post: I Mean, Really, “J-Setting”? I Spent Half An Hour On Wikipedia Figuring Out What That Is. You’re going to want to read it before I go on, and you may want to click through to the “J-Setting Marmaduke Welfare Office Cat Fight Video Dance-Off” link in it, and watch both the videos. I don’t want you to get lost here. There’s going to be a quiz.

A little backstory: Choire Sicha is a guy primarily known for being the editor of Gawker a few years ago, and though he’s been published in all sorts of other publications (even in print!), his name redirects to the entry for Gawker on Wikipedia, just to give you some idea. (I just added “wtf?” to the discussion page for the discussion page of the redirect, so that’s your half-hearted attempt at making the internet more coherent for the day.) Alex Balk worked for Gawker too, tho him I’d never heard of before the two launched The Awl last April. The consensus (scroll to #2) is (a) the Awl is fucking great and (b) how the hell is it going to survive, if the people who are writing it are hoping to eventually/soon do it as a major source of their income and not as a hobby (and keeping in mind that they’re good at their fucking job and live in New York City so a salary of like $30,000 is not really what we’re talking about here), considering the state of the publishing world and the generally accepted suckiness of online advertising revenue.

So you could be forgiven for thinking at first blush that this post is pretty sincere — we’re trying to make money, can we please take it just a touch more seriously. And while I ponder that there may be a grain of that literal sentiment behind it, I presume that would be about all there is. It’s an inside-joke of a throw away-post, quickly typed up by a guy who’s got so many hilarious/great ideas going that he can just pull stuff like this out of his ass anytime he wants. (Or is it? Read on!)

OK now on to the post with the videos. I’ll save you the 30 minutes on Wikipedia and just tell you that J-Setting is the dance that Beyoncé does in that Single Ladies video. Watch carefully: The guy in the first video does it as he’s being escorted out the welfare office. And the dogs do it at the end of the Marmaduke trailer. They are both fucking upsetting. Furthermore, you will note that the pairing is pretty interesting and maybe even says Something Important about our culture, and that the headline “J-Setting Marmaduke Welfare Office Cat Fight Video Dance-Off,” is just about prefect (if smart-alecky, but of course smart-alecky is what sites like this use to make the medicine go down).

But there is more. Because, it is not enough that The Awl (I’m pretty sure I need to capitalize the “T” every time for the title to hold together) publishes 25 posts per day, at least a few of which run long. Also shockingly great are the comments, and sometimes indispensable. That fake Balk memo? Well take a look at this and try to not crap your pants. You probably know that Nick Denton is the wildly controversial head of Gawker Media (not just internet-controversial either, since the wider journalism world is afraid that his management model may be the way of the future for writers, and it’s not representative of a world in which they feel they can live), and as such Balk and Sicha’s former boss. And so yes, this is how “successful” blogs are run, and this is how successful blogs that are not run this way mock and poke fun at the ones that are, while simultaneously wondering what the future holds for them. And more to the point, this is how clever you have to be in 2010 to make it out here on the internet.

Obama rocking it since health care reform passed

YOUR president has been rocking it since health care reform passed this weekend: jobs package, financial reform, and now an arms deal with Russia. Also, going out of his way to publicly support Biden’s dropping the f-bomb in the oval office. Next up, getting tough on Cuba and help for underwater homeowners. Bonus link: healthcare speech with edits showing on the White House flickr stream.

You can add health care reform to all the other cornerstones of American society that Conservatives fought against: womens’ suffrage, civil rights, social security, Medicare

You can add health care reform to all the other cornerstones of American society that Conservatives fought against: womens’ suffrage, civil rights, social security, Medicare.

I posted this to facebook, but I hate having stuff live only there, so here you go.

Update: Gloat-tastic: Obama stopped after every letter when signing his name to the bill to switch pens, creating 20 historical souvenirs.

Update #2: Here is the video, and here is the signature. Fast stuff, these interwebs!

The future of the location-based Internet

Here’s the text of my introductory talk from last night’s panel. I think it took me about 6 minutes to get this out (the closest to the 5-minute allotment that any of the panelists got, I timed them), but I think I might develop it a little more and present it maybe at a future BarCamp or something.

Around the beginning of the 2005 I came across the websites Gothamist and LAist. They were part of a network of blogs dedicated to what was happening in one particular city, along with a network called Metroblogging. And I said to myself, why doesn’t Miami have a blog like this?

It wasn’t quite as easy to start a blog in those days as it is now, but I was coincidentally just getting to a place in web design where the idea of creating a blog seemed possible. And what’s striking is how odd that sounds today, when everybody has a blog. Because what I had in mind was a site where there were five or six people contributing, and I talked to lots and lots of people, but for some reason the idea of writing for a blog was really intimidating back then. I got lots of interest, but with some notable exceptions, Critical Miami ended up being basically a blog that I wrote.

And it sort of took off, and by the time I packed it in three years later, it was getting around 10,000 page views a day, and around 100,000 unique IP addresses visiting every month. There were over 11,000 comments posted over the three years. And still to this day, two years later, when people meet me they say, ‘aren’t you that guy, who used to have that blog….?’ So, it hit a nerve.

But something else happened during that time, and since, which is that everybody else started blogs. When I stopped writing Critical Miami there were dozens or maybe hundreds of great local blogs, lots of them wonderfully specialized.

But what’s happened since then is even more interesting. Because today everybody I know has a blog. And a twitter, and a facebook, and sometimes a Yelp account and a Foursquare. And what’s happened is that the internet has become, instead of this flat thing where everyone is accessing more or less the same stuff, it’s become this very personal and social thing. I read my friends’ blogs, and I see what they’re reading on twitter and facebook, and it’s this interconnected thing where you’re still reading stuff on the internet, but you’re also connected with your network of friends and acquaintances.

But what Yelp and Foursquare do is, they also begin to connect the internet to the physical world. So, I get here to MoCA, and I check in on Foursquare, and now not only does it know I’m here, but if one of my friends is here, or say a few blocks away, we instantly know about each other. And right now it’s this manual thing that I have to remember to do, but phones have GPS and WiFi, and it’s only a matter of time before it’s completely automatic and integrated into all the other services. I want to know what’s around here, I pull up Yelp, which incidentally just got this spiffy Augmented Reality feature built in, and I can look up what bars are nearby, and see what people have said about them.

So, in a very real way, the internet is becoming aware of where it is, right? We have WiFi hotspots here, and we can look up what people have posted to Twitter from this room over the last few months, and you can drop a pin on a map and get information on the architecture of this building and the history of this neighborhood and see what’s going on.

But this is all just the beginning. Jesse Schell gave a talk to game designers recently (there’s link on my blog, which by the way is Buildings and Food) where he was talking about how little video games are beginning to permeate out lives, and how in the future everything — every coke can — would have a little camera, a touchscreen, and a WiFi connection. Everything you interact with knows who you are, and the internet, instead of being this thing that lies on a screen that sits on your desk, is literally right there around you. For now we have these little screens we carry around in our pockets, and we have screens on the walls at the bank and at the theater, but soon the augmented reality tech will be built into regular eye-glasses, and it’ll be exactly as pervasive as you want it to be. And the internet will be sort of right there between you and the wall, and it can give you whatever you want anytime, usually before you have to ask for it. (Think how Twitter feeds you information you want and need, without you having to request it.)

I’m on a panel: “New Paradigms in Communicating Design Culture”

This Wednesday I’ll be part of a panel discussion, and no, it’s not at SXSW. It’s at MoCA, and it’s about, I guess, contemporary digital design, social media, and architecture? The info is on Facebook, I’m reproducing it here for those who haven’t seen it. There’s also an e-flyer, and here is the sparsely populated MoCA link. Come by and say hi!

New Paradigms in Communicating Design Culture
‘Time for Design’ Panel Discussion at MOCA – moderated by Armando Montilla

7 pm, Wednesday, March 17, 2010
Museum of Contemporary Art, North Miami
770 NE 125th Street North Miami, FL 33161

Traditional ways of communicating design though printed media now share their role in communicating the culture of design with subversive/alternative publishing means such as blogs and social networks sites. Physical versus virtual, high-institutionalized versus low-alternative; and individual versus collaborative are the new paradigms in communicating design culture in times of financial challenges.

This event will suggest Mediation and Subversion as means of spreading Design Culture, in the format of discussion panel with short (5 min. max.) visual presentations included, within the frame of the ‘Time for Design’ Discussion Panel Events at MOCA.

The underlined questions of the discussion will be:

1. Can we go beyond traditional means of mediation in architectural design such as printed publications?

2. Can we promote a good design-oriented culture through the use of Internet blogging at the present lacking of available funding to produce publications?

3. What could the role of sub-cultures in the city to promote ‘unappreciated’ aspects of innovative design?

4. How can we have a participative ‘design community’ exchange using virtual/non-traditional means?

5. How can we activate community participation in collective design efforts?

The discussion will also aim to: “[The] identif[ication of] different actors in the mediation process of the city, particularly in what refers to the realm of contemporary artists, urban hackers and para-architects dealing with media and the city…[..]…‘Wiki’ collaborative modes and ‘Smart Mob’ organizational strategies, not only lead to physical manifestations in real space – such as the so-called ‘Flash Mobs’ – but also enable bottom-up, edge-in social innovation in times of financial hardship and environmental consciousness. How are these platforms envisioned by designers today in search of social impact in the city? What are architects to learn from the field of contemporary art at the level of capacity to mediate with different actors in the city? …[…]…how can designers learn from the latest field of digital techniques and prototyping, in order to allow collective authorship to come into the realm of collaborative design?” Link

List of Panelists:

1. Damir Sinovcic, Editor, South Florida Design Book Magazine and Principal of Liquid Design in MIami

2. Elite Kedan, Architect, Faculty at FIU School of Architecture, Editor of the recent Book: Provisional: Emerging Modes of Architecture Practice in USA

3. Eric Goldemberg, Faculty at FIU School of Architecture, Principal of MONAD Studio in Miami, and Editor of the forthcoming book “Pulsation in Architecture”, a Catalogue of the accompanying same name upcoming Exhibit.

4. Michael Alfonso, Graphic and Web Designer, editor of the Site The Graphic Gospel

5. William Virgil, former Grafitti Artist, who has now gone into graphics and into underground pop sub-cultures. Partner of ABSOLELUTE, a company producing custom laser printing on Sneakers

6. Alesh Houdek, Internet Blogger of the Site Critical Miami and Buildings and Food

7. Martha Skinner, Assistant Professor at Clemson University School of Architecture and a graduate of the University of Florida; who has been very active in interactive projects involving Social Networking Sites and the community

Moderator:

Armando Montilla, Assistant Professor of Architecture, History & Theory and Criticism at Clemson University School of Architecture