I wonder what they mean by “loitering.”
Category: Photography
Straight photography
I was talking to my friend Christiaan Lopez-Miro the other day, and he pointed me in the direction of a couple of his favorite photographers: Joel Sternfeld and Alec Soth. In looking at these photos I’m struck at how alien the very notion of photoshop becomes. “Straight photography,” as a branch of art, is all about the delicate tension between two seemingly incompatible motivations: the desire to show something inherently interesting, and the desire to create an image — through a shift in perspective, the posing of people, etc. In other words, a subject is photographed in such a way that it is simultaneously transformed and not transformed at all.
This delicate tension requires that the viewer implicitly trust the authenticity of the image before them. While photo manipulation has a long history and we are all well-advised to view any photo with a certain amount of skepticism, for straight photography it is imperative that we believe. To question such images, to begin to look for digital seams and other evidence of tampering, is to immediately weaken them. This is why many photographers who do choose to tamper with their photos, digitally or otherwise, do so in a way that is fairly easy to spot (see for example Joel-Peter Witkin’s The Raft of George W. Bush). It’s why artists who use photoshop in a way that is not immediately obvious, such as Andreas Gurskey, occasionally cause such a stir. And it’s why certain bodies of work, such as Denis Darzacq’s falling series, are accompanied by not-so-subtle whispers of “its not photoshopped.”
Photo manipulation is of course a much more pressing problem in news photography then in art. But photojournalists have extremely clear guidelines about what is permissible. (Or do they?) But in art, ostensibly anything goes if the results are compelling. Photos that required extremes of effort and endurance sit alongside simple digital tricks.
Yet straight photography has its own aura. Manipulated images can be powerful, but they are either obvious or they are susceptible to debunking. And as manipulated photos become more and more ubiquitous and shameless, one craves the integrity of the unmanipulated image, shot on film and printed optically.
Shanghai 2004: day one
My friends are leaving Friday for three weeks in Shanghai, and I’m stuck here in Miami. But I thought the occasion called for something, so I’m posting a few pictures from my trip there back in 2004. All these were taken on the first day, August 5. Mostly we were just wandering around the neighborhood adjacent to our hotel. There are some original British colonial buildings (our rundown hotel had once been visited by the likes of Bertrand Russell) mixed in with Russian-era Communist architecture and a dash of the ultra-modern that dominates other parts of the city. But mostly it’s just a homey regular Shanghai neighborhood, in a state of constant and frantic flux.
Camera buying guide 2008
I get asked “what camera should I get?” all the time. And it’s worse around the holidays. First the answer in a nutshell. If you’re rich and want the best, but don’t want to fiddle doing years of research, and trial and error, get a Nikon D700. If you’re on a serious budget but still want a serious camera, get a Nikon D40. If you’re really on a shoestring budget, get a Canon A590. Before we delve into some details, three points to keep in mind:
- Pentax, Olympus, Panasonic/Leica, and even Sony make some interesting, and sometimes very good, products. But Canon and Nikon stuff has fewer weird quirks and ugly surprises, and more options for expansion.
- Megapixels don’t matter anymore. The difference between 6 and 12 is actually sort of small, and for the kind of prints you’ll be making any camera you can buy today has enough resolution. The exception is for artists*.
- Three things you need to pay attention to if you’re a novice using your new camera: ISO, Flash (just leave it OFF most of the time), and exposure compensation.
Pocket cameras
The current shining star of small, inexpensive cameras is the Canon SD880 IS, currently selling for around $250 (it’s brand new — the price will come down over the next few months). All the Canon compacts are great, but this one, an update of my beloved SD870, has a wide-angle lens and a big display. If you want even cheaper, Canon makes a zillion ever-shifting models in the SD and A series, of which the current cheapest is the aforementioned A590, which currently sells for around $115. The picture quality is the same; the difference is that the A series is bigger, doesn’t come with rechargeable batteries, and is missing some of the extra bells and whistles. (This strikes me as a great camera for kids.) For some reason, Nikon compact cameras haven’t been worth very much for the last few years.
Cheap SLRs
The larger sensor on SLRs allows them to take pictures that are much much better then any compact, especially in low light. They also don’t have any shutter lag, and are more fun to use. If you enjoy taking pictures, you probably want one of these. Good news is that the Nikon D40 has been around for awhile, and you can find them for just over $400 sometimes, which is sort of amazing considering SLRs average around a thousand bucks. The downside is that there’ll probably be a new version of this camera soon with a bunch of spiffy new features, and more megapixels. On the other hand, it’ll cost hundreds of dollars more, and trust me, those features are silly. Canon has a line of inexpensive SLRs, too, and they’re worth looking at. For most people, though, the Nikon will be easier to use. (The one big issue with Nikon SLRs is lens compatibility. If you think you might want to start collecting and switching lenses, the D40 will cause you grief.)
The Camera-for-Life
Just in the last six months, two interesting cameras have come out that are interesting because they arguably have “everything you’ll ever need” in a digital camera: the Nikon D700 and the Canon 5D Mark II. These cameras have three things that make them exceptional: (1) full frame sensors, meaning that old lenses are compatible, and work the same way they did on film cameras, (2) Big and high-resolution displays, and (3) lots of megapixels. They’re made out of solid metal, take fantastic photos in very low light, and are a pleasure to use and hold. They’re also big, heavy, and very expensive. Do what you will, but I’m saving up for the new 5D (it’s actually not even out yet).
Conclusion
The bad news is that every single model that exists has something kind of important going against it. The good news is that digital cameras have been around long enough that they’ve been refined to the point where they’re all pretty great. Let your instincts guide you, and you’re probably not going to make a bad choice. (One funny thing about the three pictures above: not to scale! The first camera is actually smaller then it looks in the photo, the middle one is about right, and the 5Dii is much much bigger. Seriously, if someone tries to take it, you can use it to clock them upside the head.)
One last note, about movie modes: the compact cameras all have a movie mode, and most SLRs do not. The two exceptions are the Canon 5D Mark II, and the not-yet-mentioned Nikon D90.
Update: Ken Rockwell’s rave review of the Canon SD880.
* If you’re most people, you’ll be looking at your pictures on the screen and ordering 5×7” or 8×10” prints, for which 6 to 12 megapixels is great. You can actually order nice 13×19” prints from these cameras, too — I’ve used to make 11×14” prints from 3 megapixel images, and they looked fine. Of course if you’re an artist, you want to be able to print big, and in this case a digital camera is not going to be much more then a toy for you. You need a medium or large format film camera.
Massive archive of Life photographs
Massive archive of Life photographs dating back to the 1860s, hosted online by Google. Awesome. [via]
Miami aerial
I tagged along with a friend who was apartment hunting in Midtown, Edgewater, and Brickell this weekend, and I’ve got photos. You’ll see some weird effects of the building boom here, including construction cranes of projects still underway.
Like an abject rookie, I left my camera with all the crappy camera settings from a previous shoot. These photos were saved somewhat in Photoshop, but they have an odd quality, like snapshots from the ’80s found in a shoebox. Which may be appropriate in a way. I’ve got a song for you to listen to while looking at these (opens in a new window) at my Tumblr, if you like yours with a little multimedia.
More fun with Broward County lawns
The beautiful photography of Elizabeth Weinberg
The beautiful photography of Elizabeth Weinberg.
Lion Country Safari
Here are some goofy photos of animals from Lion Country Safari. LCS is worth a visit once every decade or so, just avoid the tourist-trap “Safari World” unless you have kids. It’s worth driving through twice, which you can do at no additional charge. (Regular admission is $23 per person, a $5-off coupon is here.)
Photos of hurricane Ike damage
Completely messed up photos of hurricane Ike damage in places that are not Miami. Hard to imagine your home getting flooded and burning down all at once.