A small change that would improve online reading

NY Times snippett

Recently, William Saletan published The Conversion, a wonderful story about the evolution of Mitt Romney’s views on abortion rights. It’s exhaustively researched and long: some 13,000 words, including a video summary and detailed infographic. It spells out revealing information about how Romney processes important political decisions, and sheds light on how complicated and large-looming the politics of abortion are in the US, equally obsessed with religion and personal liberty. It’s the sort of story that so many readers still seek out and cherish, as evidenced by sites like Longform.org, which aggregate relatively long pieces of journalism.

But had you come across the story on Slate’s home page, you would have no way from distinguishing it from, say, this article, a 200-word quick-hit entry about the cars the Romney family drives. The abortion article may have been longer featured on Slate’s home page, and it certainly received more attention on the internet, but a browser of the Slate website or RSS feed would have no way differentiating between the relative weights of these two articles without clicking through.

As we transition from print to online media, this is one of the huge challenges that has yet to be overcome. Reading a physical newspaper is a very particular experience, in part because experienced layout people hand-design every page to give prominence to the material that’s deemed most important, but mostly because you can usually see which articles are longest. The full text of the article is right there. And while attempts to bring a print-like layout to the web have mostly failed, the reader’s need to know what lies behind each link as they scan a web page remains. Many websites have done a good job of identifying links that lead to photo slideshows, infographics, and video content, but for ordinary stories there is no way to tell how long the article is, how much effort the reporter has put in, or how long it’ll take to read.

It’s fantastic that, contra some predictions, the internet has not reduced all online reporting to short blog posts. But making long articles impossible to dinstinguish from short ones places a burden on readers, who treat articles of different lengths in different ways. Many of us spend the morning gobbling short items in large volume in an effort to stay up to speed with the day’s events “water-cooler” topics. We often save longer articles to services like Instapaper and Read it Later for more relaxed reading, perhaps an after-dinner session on an iPad.

instapaper

Fundementally, this problem is not difficult to solve. When I designed The Heat Lightning, I incorporated into the traditional blog format a word count for each “read full article” link. The site Longreads provides not just a word count, but an aproximate reading time for each article it aggregates (based on approximately 265 words per minute). A minimal but elegant solution is on display in Instapaper’s iPhone app. A series of gray dots below the short summary of the article indicates aproximate length, three dots for short articles up to a dozen or so for epic pieces. It’s simple and easily scanable, but doesn’t convey the information in a precise way. Then again, you don’t get an exact wordcount by scanning the layout in a printed newspaper either — just a rough visual sense of its length.

As we transition from print to online media, features like these become essential. It’s possible to flip through an entire edition of a daily paper, scanning headlines, skimming some articles and reading others, over breakfast. The same is not true of digital newspapers, because every story is on its own page, and even on a fast internet connection pages take a couple of seconds to load. A typical newspaper home page has hundreds of links, so the inflection point is the click itself. We’ve got a headline and a few lines of summary text in which to make the decision to take the plunge or not.

What we need here is some way to see just a little more of the story before committing to clicking through. Why not show the first couple of paragraphs of a story when the reader’s mouse pointer is over the headline? (The same effect could be accomplished on a tablet by pinching open.)

Over the last five years, many publications have intelligently revamped their websites, creating useful information hierarchies, usable navigation systems, and easily readable content pages. But as we use Twitter and recommendation tools like Longform more and more to find articles to read, the home pages of many publications’ websites are falling into disuse. Adding tools like these, that take into account how readers consume content, would do a lot to make these pages more useful.

From ‘Facts for Republicans’: the presidency and gas prices

Having little else to attack Barack Obama for, FOX News is beating him up for rising gas prices, going so far to use blatantly misleading charts.

The good news is that FOX themselves made the argument that the president has very little influence over gas prices — during the George W. Bush administration. Check it out:

Jay Rosen on he-said she-said journalism

After hearing a report about the new regulation clinics for abortion clinics in Kansas, Jay Rosen had a complaint:

My complaint is not the usual one that you probably get: biased reporting. No. This is he said, she said reporting, one of the lowest forms of journalism in existence, in which the NPR reporter washes her hands of determining what is true. The new Kansas regulations may be a form of harassment, intended to make life as difficult as possible for abortion providers in that state. Or, alternatively, these rules may be sane, rational, common sense, sound policy: just normal rule-making by responsible public officials.

Is it the responsibility of a reporter to try to figure out “who’s right” in situations like this? How would they even go about doing that? Rosen’s got answers.

For example: Opponents of abortion in Kansas say the regulations are just common sense. NPR could compare the proposed regulations for abortion to other procedures that are performed at clinics in that state: do the regulations for, say, colonoscopies specify that storage areas for “janitorial supplies and equipment” must be at least 50 square feet per procedure room? Or is that kind of requirement unique to the state’s proposed rules for abortion? I don’t know the answer, but NPR could try to find out. And if it’s not NPR’s job to find out, who’s job is it?

There’s more, including an exchange with NPR’s ombudsman, and it’s very much worth a read. Rosen’s here fighting for nothing less than the future of journalism. Here’s a followup.

100 best films of the decade

The Times’ 100 best films of the decade. Great list! But!: I like the Bourne series too, but number2?! Also overrated: Slumdog Millionaire (#6), Borat (#11), and Bad Santa (#54). Underrated: The Royal Tenenbaums (#88), Milk (#53), and the films of Spike Jonze, of which Being John Malkovich is #29, and Adaptation and Synecdoche, New York are missing. Also missing: Rachel Getting Married. (via)

Film directors

There is something about film directors — they are at the top of their field, and they need to juggle artistic, technical, and personal challenges at every stage of their work. But maybe because of that and maybe just because of poor sampling, it seems that directors are always fascinating to listen to. We know about Woody Allen and Quentin Tarantino, but perhaps the taker of the cake is Werner Herzog. Even though it’s not an interview, check out this. (But fuck it, let’s have some interviews: how about by Errol Morris, Vice Magazine, Roger Ebert, and The Guardian for starters.)

To The Best of Our Knowledge

to the best of our knowledge logo You know how episodes of This American Life are supposed to be based on a theme? But they’re not, right? The “theme” thing is a conceit, and the episodes are really an excercise in tying together the most disparate possible group of stories. It’s pretty fantastic, but what if a radio program picked a theme and really tried to explore and shed some light on that theme. Well, that radio program would be To The Best of Our Knowledge. But TTBook, as it calls itself, is not dry and didactic. It’s every bit as poetic and inspirational as This American Life. It’s contributors have enough Midwestern NPR sincerity make Steve Inskeep sound like Steven Colbert, and they sometimes veer dangerously close to paralyzing self-consciousness, but it’s always in the line of trying to get to the real heart of the issue.

But the best way to explain how great this all is might be to present a few episodes. Almost all of the episodes on the site are in RealAudio(!), so I figured I’d try to make them a little more user-friendly. I’d suggest subscribing to the podcast for future episodes.

The New Abolitionists: There are more human slaves in the world today then at any other time in history. The first interview in this show is with a woman who was abducted from the street in New York, and spent 5 years as a slave. The second, with a journalist who wrote a book on contemporary slavery, is about going to Haiti to purchase a child. Then follows the story of the successful abolitionist movement in Britain, over two hundred years ago, which succeeded — while innovating many of the techniques still used by political activists — because it got the whole of society to care. Finally, looks at a modern-day family’s attempts to come to grips with its slave-trading legacy and an interview with a Nobel Peace Prize winner about the economics of poverty which drive slavery. In one hour, the program explains how slavery works, argues that it can be stopped, and explains how to stop it. mp3 link

Alone Time: The first two segments are the quintessential TTBOOK juxtaposition: an in-depth discussion of the neurological and evolutionary origins and consequences of the cognitive process of loneliness, followed by an interview with a guy who spent a year living in complete isolation in the near-Antarctic part of Chile. Plus songs of loneliness, and a look at how American society is becoming increasingly isolated. mp3 link

David Foster Wallace: Obviously a labor of love for the crew, this posthumous look at DFW’s life and writing includes interviews with book critics, family, editors, and the writer himself (the program interviewed him three times between 1996 and 2004). There are links at the bottom of the page to the full versions of these interviews (recommended!) as well as an excerpt from the famous commencement speech DFW gave at Kenyon College in 2005. mp3 link