We could really use a 5,000 word look back at the glitch movement from Pitchfork or someone, couldn’t we? It ain’t happening, but in any such feature, Oval would play feature centrally. They began by experimenting with manipulated CDs (played in primitive CD players that wouldn’t give up in the face of extreme digital errors), and soon were exploring complicated computer-based composition. At its best, their music was hazy, gentle, and abstract; here’s a great example. They released about a half dozen albums through the 90s, oscillating between accessible collage anchored with the (surprisingly melodic) digital skipping and a completely abstract soundscape (Dok being an example of the latter, and maybe their best work).
The one album that is all but forgotten is their 1993 debut, Wohnton. Long discontinued, it is from before Oval was just a solo project for Markus Popp, and features, unexpectedly, singing. We’re talking here a sort of untrained German warble, which appeared on less then half the songs. What’s impressive is that while the group didn’t think so, and never attempted anything like it again, the singing actually works? Kind of? But so I was looking for one of these weird charming lyrics for “my music video blog“http://alesh.tumblr.com/ the other day, and was bummed to not find any. But hey, I’ve got the technology. I decided to make one myself. Warum nicht?
So without any further ado, here’s my little video:
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