On The Fence Episode 9: My Pants They’re Tight, in which we talk about many things, but mainly the Miami Art Museum renaming, pertaining to which Steve just sent me a link to this NYTimes article, of which the most important bit is the ending:
Though it’s not uncommon for a smaller art museum to take on the identity of a major benefactor, it is less common with larger institutions, said Maxwell L. Anderson, who in January will become director of the Dallas Museum of Art. “No one has ever seen this happen at a museum that aspires to be a major metropolitan museum,” he said.
Mary E. Frank, a former president of the Miami museum, not only resigned from the board in protest but also took out a full-page newspaper advertisement with her husband, Howard, the chief operating officer of Carnival Corporation. She said the ad’s opposition to the name change had drawn nearly 300 e-mails of support and that she and her husband would not fulfill the remaining half of a $500,000 pledge they had made.
Mr. Rodríguez, another trustee who resigned, said his company, Carnival Cruise Lines, is now debating whether to come through on the balance of a $5 million endowment gift, of which $1.5 million had already been awarded.
“We feel we made a pledge to the Miami Art Museum,” he said. “Not to the Jorge Pérez Museum.”
But Craig Robins, a member of the board who is a developer and prominent collector, suggested that those opposed to the renaming should collectively match Mr. Pérez’s contribution and try to retain the name. “It’s not fair to be critical unless you’re willing to do something about it,” he said.
He said he was sure Mr. Pérez “would gladly relinquish it,” adding: “He’s being the generous one. He’s the only one stepping up to the plate.”
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